Spider-Man: Brand New Day just set the all-time domestic opening weekend record — and it did it without a single IMAX screen in North America. Here's what that says about the theatrical model heading into 2027.

Christopher Nolan's The Odyssey is a gorgeous, uneven swing at practical-effects filmmaking, one that buries a genuinely sharp war-guilt story under a rocky opening act. Here's what works, what doesn't, and why the pre-release casting controversy might be part of the point.

Most people know Apocalypse Now was a chaotic shoot. What they don't know is how deep it goes. Real corpses on set, a lead actor given last rites in the jungle, and a CIA assassination program hidden inside the plot. This is the hidden history they left out of the documentary.

The Backrooms opened to $42M and beat Star Wars at the box office. Obsession held strong for a third week. Gen Z audiences are signaling a clear preference: authenticity and original IP over aging franchises. The real question is whether Hollywood will capitalize on the moment or mismanage it.

Person of Interest looked like a Tuesday night crime procedural. Underneath that it was writing the most accurate prophecy about AI, surveillance, and the death of personal identity that anyone had put to screen. Not a novel. Not an academic paper. A network TV show. This is why it matters now more than ever.

A podcast clip is making the rounds claiming the Smurfs were inspired by a dark Northern European folklore — frozen bodies, blue skin, mushrooms sprouting from the ground in spring. It's a compelling story. But how much of it actually holds up?

After the 2026 Oscars, the real story isn’t just which movie won Best Picture—it’s how people are talking (and not watching) them.
This post unpacks why One Battle After Another beat Sinners, the “woke vs white savior” discourse, and what Autumn Durald Arkapaw’s historic cinematography win says about the future of the Academy.